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I am a street photographer in New York City. Several months ago, I was approached by a representative of DKNY who asked to purchase 300 of my photos to hang in their store windows “around the world.” They offered me $15,000. A friend in the industry told me that $50 per photo was not nearly enough to receive from a company with hundreds of millions of dollars of revenue. So I asked for more money. They said “no.”
Today, a fan sent me a photo from a DKNY store in Bangkok. The window is full of my photos. These photos were used without my knowledge, and without compensation.
I don’t want any money. But please REBLOG this post if you think that DKNY should donate $100,000 on my behalf to the YMCA in Bedford-Stuyvesant, Brooklyn. That donation would sure help a lot of deserving kids go to summer camp. I’ll let you guys know if it happens.
(via scdub)
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Last Day, closes at 6pm:
“Preoccupied Waveforms”
Haroon Mirza
New Museum’s Studio 231, 231 Bowery, NYC
Mirza uses simple industrial materials to radically transform the perceptual experience of architectural space. Over the past ten years, Mirza has deployed a range of analog and digital devices to create dynamic compositions of sound and light. Mirza’s work is often distinguished by its improvised use of outmoded audiovisual technologies. Turntables, speaker cabinets, monitors, and more contemporary electronic equipment are rewired and integrated into objects that recall antiquated technologies, and work together to create new visual and auditory landscapes. More recently, Mirza has expanded his work to take on entire architectural environments. Strands of LED lights, fragments of video, and amplified electricity are programmed to disrupt and destabilize the exhibition space. Exhibit curated by Gary Carrion-Murayari, Curator, and Jenny Moore, Associate Curator.
